In 1944, Raphael Lemkin invented the word “genocide” and
spent his life fighting to
have it recognized as an international crime. But when the U.S. finally
signs his law –
decades after his death – the Rwandan and Bosnian genocides erupt
and torment Lemkin
in the afterlife. He must weigh his accomplishments against his guilt for
deserting his
family. If genocide cannot be stopped, how will Lemkin rest?
highly recommended by the New York
Times - The Listings
“The man who invented the word genocide, Raphael Lemkin, turns
out to have an unsettled afterlife in the compelling drama by Catherine
Filloux. He learns, through visitations by Tutsis and others, that
the international law he campaigned for against genocide may not
have accomplished anything. John Daggett is impressive as Lemkin …A
call to action…” - Genzlinger, The New York Times
“Catherine Filloux, who has written four plays about the Khmer
Rouge genocide in Cambodia, researched her play impeccably but lent
her play a dreamlike tone that offsets any dryness or didacticism…this
play should haunt, and possibly inspire, much of the audience as
well.” - Alexis Soloski, VILLAGE VOICE